Doordarshan Bharati is India’s PBS. Only, a more fusty version that continues to have a dedicated viewership due to the nonpareil content of its archives. It is a veritable Geniza of everything Indian – culture, language, music, arts and literature. The words, India and Indian, mean many things to each of us and the diverse experience and interpretation of Indian-ness seems to grow exponentially each year. Much has changed in the past decade; enough to feel a generational divide with those a mere ten years younger than us. Their experience and obsession with consumerism is one that my generation did not have and in any case, could not afford.
I am from the Southern part of India; a region distinctly different from the North, in both attitude and approach to life and living. In my time, those that could afford more than most were subdued and restrained with their wealth. Conspicuous consumption was frowned on. Severely. The appurtenance of wealth was seen, in maybe a big house (often with the same interiors as your own; only bigger spaces) or a car; but personal display was almost non-existent. All retired grandfathers wore veshtis and shirts. All mothers and grandmothers wore demure, mostly cotton, saris with red pottus and flower strands in their hair for adornment. All ate with their hands. There was a homogenizing sameness of lifestyle that transcended money. Not much distinguished a rich girl from a poor one in dress, food, habit or lifestyle. At the most, one had short hair and the other had a plait. And then she was called, ‘modern’, not rich. One wore maybe a city styled ‘fancy’ chappal; the other had Bata. When I was growing up, all kids, rich or poor, wore Bata chappals. That’s it. I only woke, with wide eyed astonishment, to the realization that there was something called ‘party shoes’ in my twenties. Indeed, it happened with the excruciating embarrassment of the universally experienced rite of passage; and yes, in an alien culture. ‘Children’ have party shoes today!! I am not a curmudgeon dinosaur (despite a sincere effort to have portrayed myself thus), but in my world, children do not need and, will never need party shoes!
Consumerism is not always a bad thing. It is a necessary driver of the economy; but, our children must be protected from its corrosive power. There is an age which indulges in it (and should); there is an age that retracts and detaches from it and there is an age that should not know it at all. It is hard to instill values of empathy, equality and sharing in children when materialism is competing for mind and heart space. This age is better served by intellectual consumption than by material consumerism. When these foundations are firmly in place; we build a citizenry of integrity who, while not shunning the consumerist experience, will be well schooled in not falling under its rapacious influence either. The ugly sights of a spurious entitlement, visible all around us today, might finally fade and die. And wealth might cease to be the sole arbiter of justice.
For those like me, whose days are filled with a perpetual nostalgia for a culture, past and with a shrinking horror of the new; Doordarshan is a reassuring balm. At the end of a working day in India when body returns home with a numbed mind; nerves on edge and crumpled souls sink into the pillowed comfort of its quiet monotone narration, its languid landscapes, sublime, identifiable music and richly illustrated documentaries of our history and traditions. In the rapidly alienating environment of modern India that questions the roots of our belonging; it is Doordarshan that reminds us each time that we are indeed, home.
I wrote this, in some agitation, after listening to a stirring poem by Gurudev, that was sung by Sasha Ghoshal as the title song of a documentary on Indian Nobels aired on Doordarshan. It left me with a profound sense of loss and a helplessness that is hard to explain in words. I dearly wish for you, my dear reader, to listen to it. The translation, from the Bengali, is copied below. This was the caliber of the people that made and shaped our identities. Remembering them, their lives, their words – how can we not mandate that as a daily exercise for ourselves and for our children? Do the young watch Doordarshan, anymore?
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——————————————————————————————————– ——– When my footprints no longer mark this road – Rabindranath Tagore When my footprints no longer mark this road, I’ll stop rowing my boat to this ghat, I’ll cease all transactions, I’ll settle my accounts and clear all dues, All business will stop in this mart – It won’t matter if you stop thinking of me then, Or cease calling me while looking at the stars.
When the strings of my tanpura gather dust, When prickly shrubs sprout in my doorsteps, When the garden flowers put on a mantle of weeds, When moss spreads all over the pond’s banks, It won’t matter if you stop thinking of me then, Or cease calling me while looking at the stars.
Then the flute will play on in this music hall, Then Time will flow on, Then days will pass just as they do now. Then ghats will fill with boats as they do now – Cattle will graze while cowboys play on that field. It won’t matter if you stop thinking of me then, Or cease calling me while looking at the stars.
Who can say I won’t be there that morning? I’ll be in all your fun and games then – this very me! You’ll name me anew, embracing me as never before, It won’t matter if you stop thinking of me then, Or cease calling me while looking at the stars. —————————————————————————————————————- Essential Tagore. Translated by Fakrul Alam, Radha Chakravarthy
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Enjoyed your article, thks
Personally not above several pairs of party shoes, but Agree. It was also the innocence of the age. The South has always been more austere. DD did have a few awful shows but loved Surabhi, mastermind
Thank you for very much for reading! Indeed it is an enchanting and soulful melody. I’ve linked to it in the text of the essay. But if you or anyone else missed it; and if you would like to listen to it again: http://https//www.youtube.com/watch?v=y0OvdQLO3YI
What a divine voice. The one language I always wanted to learn was Bengali – simply to be able to read Tagore in his own language.
Now you deserve a big thanks. Btw, I follow you also on Twitter. Started after you wrote that on the gangrape issue. Now, coming to what you have commented, i can add this: why only tagore, you could also have read the exploits of Byomkesh Bakshi (who could easily have rubbed shoulders with Holmes and Poirot if only his actions were chronicled in English), and of many more. But then, in a similar manner, i too surely have missed many beautiful writings in your language…south Indian culture and literature is exceptionally rich. … Going home now, more tomorrow, if you are interested to talk to a Bengali ;p..
:) indeed I could’ve! Didn’t DD have something on Byomokesh Bakshi too? Have a vague recollection. What is your T handle/ would be delighted to follow back and yes, talk with a Bengali. :)
Feel scandalized..after finding so many typos in my prev. scraps:p. You asked for my twitter handle and here it is: https://twitter.com/ShoumitroRay. But I must let you know that I am a very ordinary person who is not much active on twitter, and also unintersting. I do write a little though (where I am more active) which you can find here: http://shoumitro.blogspot.com/.
You are right, Byomkesh was played on DD…Rajit Kapur acted as the detective. Write back soon, okay? ;p
There is something wrong in the link provided. Could please check and revert?
Ignore the previous mail. Could get the utube link from the “sung by Sasha Ghoshal”
So many channels are available now but they togerther cannot match the quality of Doordarshan of the eighties — Surabhi, The World This Week, the Sunday morning treats like Tthe Mahabharat, Alice in Wonderland, etc; then the comedies like Dekh Bhai Dekh, Yeh Jo hai Zindagi. Humlog, Buniyaad. How nicely they restricted the serials in 13/26/52 episodes…nowadays they go on ond on… Feel proud that DD was managed by two Bengalis at that time, one, Bhaskar Ghose, and another one whose name i forgot…perhaps a Chatterjee at the helms of Prasar Bahrati.
The Rabindrasangit you mentioned is: “Jedin probe na mor payer chihno ei pathe…” listen to it if possible…the tune is enchanting.